BÄLv]¤ j]ÐV BÄLv]SsR¨LqO yUvLhU

Ws yf|oLReÐOU yf|¾]R£ j]¡v\jU yTÎq|oLWOÐf]¤ Rfã]RsæÐOU xL^] I¢. WqO¦. fR£\s\ÿ]Nf WLuV\ÕLaOWt]¤ oLão]RsæË]sOU WLuV\¨Lq]¤ WOrvOºLp]ŸORºÐOU RvmVSsLWU ScLŸV SWLU KLeS¾LajOmÌ]\ÿV yUZa]Õ]\ÿ KL¦ RRs¢ y¡YysæLk¾]¤ kRËaO¨OWpLp]qOÐO v]w~Nky]È \s\ÿ]Nf yUv]iLpW¢. 

KqO WsLWLqR£ NkiLj hTf|U Ar]´f]RjÕã] BzæLh]¨OWpOU yËaRÕaOWpOU Ar]pL¾f]RjÕã] y~kÔU WLeOWpOoLeV. CfO nPo]¨Lvw|oLeV. ojOx|¢ ksf]R£pOU Aa]opLeV. Af]¤ j]ÐOç SoL\joLeV IR£ y]j]opORa NkSopU& BwpyÒÐfpL¤ j]svLqU yPƒ]\ÿ yUvLh¾]¤ sn]\ÿ jPãÒSfLtU S\Lh|°¥¨V D¾qoLp] xL^]pORa v}ƒe Yf]W¥.

ysæLk¾]R£ kP¡eqPk¾]Ss¨V

surya : Namskaram sir
xL^] I¢. WqO¦ &  joØLqU, KLeLwUyW¥ SjqOÐO IsæLv¡¨OU
harilalms : Sir I am Hari from mumbai How are U
xL^] I¢. WqO¦ &  zSsL
thatsmalayalam.com : dear sir, Very good evening from www.thatsmalayalam.com As the previous chairman of the Chalachitra Academy, how would u feel the present crisis of Malayalam film Industry?
xL^] I¢. WqO¦ &  RRNWy]yV IÐO yP\]Õ]¨OWpLReË]¤ vtRq oOÒO fRÐ CfO fOa°]p]q]¨OÐO. WLqeU, jsæy]j]oRp jÚORa WLe]W¥ SNkLÃLz]Õ]¨L¢ orÐO SkLp].
karthikeyan : thaangalute cinemakal oru bhaavageetjham poleyo kaalpanika swapnam poleyo sundaramaan.jeevithathilum ee thalam nilanirtharundo?
xL^] I¢. WqO¦ &  IRÐ yUmÌ]\ÿ]aS¾LtU ^}v]fU y~kÔS¾¨L¥ Ai]WU yËa°¥ ojô]sL¨OÐf]sLeV.
thatsmalayalam.com : would u think that a corporate film culture should be evolved in Malayalam Film industry.
xL^] I¢. WqO¦ &  KqO WsRp yUmÌ]\ÿV KqO SWL¡ÕSrãV W¥\ÿ¡ Asæ vLñv¾]¤ DqO¾]q]´O vSqºfV. or]\ÿV KqO ojô]R£ hOqPzfWtOU Ar]vOWtOU KÕU RWLºOSkLWL¢ fL¤Õq|RÕaOÐ KqO v|©]pORa v]WLq°t]¤¨Pa] KqO¨OÐ j]¡ÚLeNkv¡¾j°tLeV `L¢ BNYz]¨OÐfV.
thatsmalayalam.com : The 20th centuary fox and Time Warner are now aiming the bollywood. How do u feel this multinational invation into our film industry.
xL^] I¢. WqO¦ &  SmLt]vO¸]jV IÐOU vu]WLe]\ÿORWLaO¾]qOÐfV SzLt]vO¸LeV. AfORWLºV SmLt]vO¸]R£ W}u]sLp] IÐO v]sk]\ÿ]ŸV CÐO WLq|o]sæ. AvqORa SvqOW¥ ISÐ jÚtORa ojô]¤ WaÐO WPa]p]q]¨OÐO.
thatsmalayalam.com : What is ur opinion about the recent proposal of Ex censor board Chairman Mr. Vijayanand to set up special theatres for X rated movies? Do u think its a wise suggestion? does it make any harm to our so called cultural heritage?
xL^] I¢. WqO¦ &  Ry¢y¡ R\áOÐ NkvQ¾]SpLaV v|©]kqoLp] Ij]¨V If]¡ÕOºV. Cf]R£ NkiLj NkwÔU yLUØLq]WoLp]ŸV joO¨V KTÐ]f|U NkLk]¨L¢ yLi]\ÿ]sæ IÐf]jOç Rft]vLeV. SvRrLqO NkiLj NkwÔU Ry¢y¡ R\pÅV Wu]´SwxU DºLp WQf] KqO NW]SpãRr yUmÌ]\ÿ]aS¾LtU BÄLUwU jìRÕŸ \vrLeV.

thatsmalayalam.com : You are an excellent cinematographer and a renowned director. which gives u more satisfactiion?
xL^] I¢. WqO¦ &  KqO l]s]U So¨rORa vs]p SoLzU ApL¥ KqO l]s]U KLfrLp]ŸV Ar]pRÕaLjOç BNYzoLeV. CT ò]f]¨V KqO yUv]iLpWjLp] Nkv¡¾]¨OSÒL¥ y]j]oLSŸLNYLl¡ IÐ j]sàOU KqO yUv]iLpWRjÐ j]sàOU IR£ WLuV\ÕLaOW¥ KqOo]\ÿORWLºOSkLWL¢ yLi]¨OÐO IÐfLeV CT qºO SoXsWt]sOU Nkv¡¾]\ÿ v|©]RpÐ j]sàV Ij]¨V W]ŸOÐ w©].
thatsmalayalam.com : U r a product of the parallel movie movement in the seventees and eightees. That era has produced some world admired ones like Aravindan, adoor, u etc. But after that no one has been emerged having such an immense caliber. what happened to our parellel movie movement. the upcomings have more opportunity to watch movies from anywhere in the world, most modern communication facilities they have, ultra modern technoloty, but lacks talent. what may be the reason?
xL^] I¢. WqO¦ &  RaWVSjLt^]pORa vt¡\ÿ yLUØLq]W Nkv¡¾j°Rt vt¡¾]SpL ASfL ft¡¾]SpL IÐOç S\Lh|U DÐp]¨OSÒL¥ vLñv¾]¤ RaWVSjLt^]pORa oOÒ]¤ W¦l|PyV R\áRÕŸ WORr ojô]RjpLSeL yQì]\ÿfV. ARfLqO S\Lh|oLp] Cv]Ra AvSwx]¨OÐO. RaWVSjLt^] kLrSkLRs Dr\ÿ SmpVyOç KqO SoXspLReÐOç Rfã]ÈLqepLeV Cf]jV fOa¨o]aOÐfV. Ws WLã]¤ kr¨OÐ AÕPÕ¢ fLa]SkLRspOç AvòpLp] yLiLqe ojôV WqOfOÐfOU Cf]RjLqO WLqeoLeV
thatsmalayalam.com : Do u have any obsession with the seperation of dear ones. Piravi, Nishadam these are the stories based on the seperation of dear ones?
xL^] I¢. WqO¦ &  jì°¥ Ij]¨V CìoOç WgLfÍOvLeV.
harilalms : Sir Have U Seen Devdas and what about photography
xL^] I¢. WqO¦ &  Csæ WLeL¢ yLi]\ÿ]sæ. AaO¾LuV\ WLeLeRoÐOºV

vmsajan : hello, what is your opinion about your films?
xL^] I¢. WqO¦ &  BÄL¡ÀoLp Nkv¡¾j¾]R£ lsoLeV IR£ IsæL ka°tOU
mahaguru2002 : Sir, I am Sreejith, former film Club secretary, University college (1999-2001). Do you remember me? Sir,when are you releasing your latest film, Nishaad?
xL^] I¢. WqO¦ &  è}^]¾V, ySÍLxU SfLÐOÐO fLËtOoLp] yUyLq]¨L¢ yLi]\ÿf]¤. j]xLhV IÐ ka¾]R£ v]fqeU wq]pLp] vqOÐSfpOçO. KqO kSƒ c]yUmr]¤ Nkf}ƒ]¨LU.
harilalms : do u have any idea to direct any more movies
xL^] I¢. WqO¦ &  DvÿV. CT vqOÐ 2003 ^jOvq]p]¤ a]. kÄjLnR£ Was]R£ xPŸ]UYV BqUn]¨OU. D¾¡NkShwLp]q]¨OU RsLS¨x¢. Af]jOSwxU jÚORa oL¾oLã]x¢ qLoLjO^Rj¨Or]\ÿV SvRrLqO \]Nf¾]R£ NkLqUn ke]ÕOqp]sLeV `Lj]SÕL¥
sofiya : varshatil oru cinema allenkil 2 varshatil onne enna kanakkile cinema edukku thankal?
xL^] I¢. WqO¦ &  KqO NW]Spã¡ yopR¾ v¡x°tLp] At¨OÐfV wq]pLSeL? ksSÕLuOU IR£ Nkv¡¾j°¥ y]j]o oLNfoLp] mÌRÕŸO W]a¨OÐ]sæ. ARfLqO WLqeoLeV.
thatsmalayalam.com : During the 2001 international film festival u were the chalachitra academy chairman. And u were the most criticised person in the open forum discussions, And now Adoor got more than enough praise for the recent film festival. What went wrong on ur era? how do u feel the scenario after more than one year?
xL^] I¢. WqO¦ &  v]o¡wj°¥ `LRjÐOU jsæ A¡À¾]¤ y~}Wq]\ÿ]SŸpOçO. IË]sOU `L¢ v]nLvj R\áOÐ KqO AÍ¡Shw}p \s\ÿ]SNfLÃvU yLƒL¤¨q]¨L¢ Cj]pOU v¡x°¥ WL¾]q]S¨º] vqOU
thatsmalayalam.com : As a cinematographer turned director, what would be ur prime consideration in the direction of a movie? visual richness, frame beauty or the pace of the story?
xL^] I¢. WqO¦ &  nUY] fRÐ yUwpo]sæ. nUY]RWLºV SsLWR¾ jÐL¨LRoÐOU `L¢ v]w~y]¨OÐO
kumari_nair : nishadam,piravi,swam,vanaprastham,katal ellaperukalkkum oro prathyekathayundallo? nishadanil ninnu swam(aatmam) kandeththunna oru piravi. athinotuvil vaanaprastham.samsaarasagarathe soochippikkunna katal. inganoru utharadhunika vayana aavamo sir?
xL^] I¢. WqO¦ &  Wa¤ y]j]opLWOSÒL¥ Af]R£ SkqV "YLg'RpÐLeV. IR£ y]j]oàV SkqV j¤WOSÒL¥ Af]RsLqOkLaV fs°¥ DºLWeRoÐV BNYzU DºV. DhLzqeoLp]ŸV j]xLhV. Af]R£ A¡ÀU "yUY}foLp]ŸV mÌRÕŸfLeV. ARfLqO qLYoLeV. Af]SjLRaLÕU fRÐ BjpORa \]ÐU v]t]¨V j]xLhV IÐO krpOU. CT fs°¥ y]j]op]¤ krpL¢ èo]\ÿ]ŸOºV
mahaguru2002 : I have seen all your films except Nishaad. Like Spirituality in Passolini"s films, all your films deals deeply on the father-son relationship. Could you comment on this?
xL^] I¢. WqO¦ &  KqO WsLWLqR£ NkiLj hTf|U Ar]´f]RjÕã] BzæLh]¨OWpOU yËaRÕaOWpOU R\áOW, Ar]pL¾f]RjÕã] y~kÔU WLeOW IÐ Nkv¡¾joLeV. CT nPo]¨V AfLvw|oLeV. KqO WsLWLq¢ KqLÄLvV WRº¾OÐ w]s×]pLeV
mohan_lal : sathyajith raiyude cinemakale thankal engane vilayiruthunnu?
xL^] I¢. WqO¦ &  KqO MLpLNYLzW¢ IÐ j]sp]¤ j]ÐOU KqO yUv]iLpWjLp] f}qL¢ IRÐ SNkq]Õ]\ÿ ozLjLp v|©]pLeV
harilalms : Sir I asked one QN But You didnt reply for that have U seen Devdas and what about photography
xL^] I¢. WqO¦ &  orOka] W]Ÿ]p]q]¨OoSsæL
sajeesh : thangalkku bhalitham aaswadikanakumo? chalachithrangalilokke dhukam allathe mattonnumillallo? jeevitham sukha dukha sammisramallea sir?
xL^] I¢. WqO¦ &  f}¡\ÿpLp]ŸOU. hO@X°t]¤ j]ÐO fRÐpLeV jsæ yOX°¥ AjOnv]¨OÐfV
arjun : Art film or commercial film which is better,please don"t tell that there is no differenciation is there
xL^] I¢. WqO¦ &  f}¡\ÿpLp]ŸOU Sv¡f]q]vOºV. jsæfOU \}¾pOU
nishadhan : Dear Shaji, I have to call u "the wonderful director" on the current Indian cinema scenario! I saw Nishadh. Good movie!
xL^] I¢. WqO¦ &  jÎ]. SNkLÃLzj¾]jV v}ºOU jÎ]
mahaguru2002 : Do you believe in Author theory ? Or in team work?
xL^] I¢. WqO¦ &  KLg¡ f]pr]
sify_malayalam : First of all wishing u a happy Onam!! (weblokam announced that this chat is a part of their ONAM package)
xL^] I¢. WqO¦ &  jÎ]. fLË¥¨OU IR£ KLeLwUyW¥
mahaguru2002 : In Europe, Parallel cinema was able to reach the audience through mini theatres. Can"t we change the existing unhealthy trend by introducing new mini theatres in our state.
xL^] I¢. WqO¦ &  y]j]oWRt RoL¾¾]¤ WLuV\¨Lq]¤ j]ÐV AWã]pf]jV f}SpãrOW¥¨V KqO k˺V. NkiLj WLqeU CÐR¾ f}SpãrOWtORa SwL\j}pLvò fRÐ. jsæ RNkL^ƒjOU yTºOU KqO y]j]oRp yUmÌ]\ÿ]aS¾LtU Af|Lvw| ZaWoLeV. AfO R\rOfLReË]sOU vsOfLpLsOU
sify_malayalam : Do u have any political inclinations? Do u think Communism is still an important solution (for many problems we face in a capital society)?
xL^] I¢. WqO¦ &  DvÿV. Ij]¨V IS£fLp]ŸOç qLxVNa}pv]w~Ly°¥ DºV. CafV \LpVv]¤ `L¢ v]w~y]¨OÐO. W|LÕ]ãsyR¾ `L¢ If]¡¨OU
bat : what is your comments about malayalam actors like mamootty and mohanlal
xL^] I¢. WqO¦ &  SoLz¢sL¤ Ij]¨V JãvOU CìoOç KqO jajLeV. vLSjLtU kOWuV¾LjOU fáLrLeV. IR£ KqO \s\ÿ]NfvOoLp] oÚPŸ] AaO¾OfRÐ yzWq]¨OÐOºV
harilalms : Why U selected Kapoor for U R New Movie.What U expecting him any peculiyarity?
xL^] I¢. WqO¦ &  KqO aLs£cV B¡Ÿ]ðLeV q^fV WkP¡.
sify_malayalam : Vathsalan vathusheri"s gomathiyammayute veetu is not at all a good short story. How come u choose that story for ur latest movie - nishad?
xL^] I¢. WqO¦ &  vLfOSêq]pORa Wg Ij]¨]ìoLp].
sunhind : shaji, what"s life?
xL^] I¢. WqO¦ &  KqO yLiLqe¨LqjLp]ŸV ^}v]¨OW IÐOç SoLzU
sify_malayalam : U have told in an answer that ur area of activity is not only cinema... What all are ur other activities?
xL^] I¢. WqO¦ &  yLoPz]W WaÕLaOW¥
alexvarghese : Whenyou are making Piravi it seem to that you are a film maker with social responsibiloity But when I saw Vanaprtastham it became so clear that even you are too playing with stock visuals targeting abroad market.
xL^] I¢. WqO¦ &  y]j]oRp yUmÌ]\ÿ]aS¾LtU \s\ÿ]NfU KqO SsLWnLxpLeV
mms : Hello sir, What is your opinion about Shakkeela films
xL^] I¢. WqO¦ &  AfV By~Lh]¨OÐ ospLt] ojô]Rs `L¢ WOãU WRº¾OÐOçO
pnair : Sir can u tell me whats ur first movie and whats ur new project
xL^] I¢. WqO¦ &  D¾qU SjqR¾ jä]p]ŸOºV
nikhilthanickal : Malayala cinema Ennu rakshapedum sir?
xL^] I¢. WqO¦ &  yzQhpf~U vtqOSÒL¥
alexvarghese : Could you pleasestate about your political consciousness especially while in creative process
xL^] I¢. WqO¦ &  ojOx|¢ ksf]R£pOU Aa]opLeV. Af]¤ j]ÐOç SoL\joLeV IR£ y]j]opORa NkSopU
benny_chennai : this is benny here from Chennai sir. Do u remember me. I visited u when u were in Chennai for the works of Nishad.
xL^] I¢. WqO¦ &  DvÿV. RmÐ]¨V yOXoLSeL?
mms : Who is the most affected/favourite director for you in the world ?
xL^] I¢. WqO¦ &  f¡S¨Lv]yV¨]pLeV `L¢ BqLi]¨OÐ \s\ÿ]NfWLq¢
alexvarghese : Who produced Nishad Sir ?
xL^] I¢. WqO¦ &  l]s]U C¢ð]ã|PŸ]¤ IR£ ^Pj]prLp] kb]\ÿ KqO kµLm] \s\ÿ]NfWLq¢& yOXVvÎV heVc. ASÇzU yUv]iLjU R\pÅ NkwñoLp \]NfoLeV "JWV Mh¡ o]s}Sy'. Af]¤ `L¢ MLpLNYLzWjLp]qOÐO
maniottoor : Pinne puthumugangale avasyamille
xL^] I¢. WqO¦ &  IR£ ka°t]¤ KqOkLaO kOfOoOX°¥¨V AvyqU j¤W]p]ŸOºV.
kalikalam : Is it true that u have some SWARACHERCHA with Atoor Gopalakrishnan?
xL^] I¢. WqO¦ &  hOìojô]R£ WQf]pLefV
kavitha : \s\ÿ]Nf A¨Lco] qPk}Wq]\ÿf]¤ fË¥ KqO NkoOX kËO vz]\ÿ BteSsæL. SWvsU KqO nqeoLãU RWLºV fË¥ Av]Raj]ÐOU Cr°]pSÕL¥ IÍO SfLÐ]
xL^] I¢. WqO¦ &  KqO \s\ÿ]Nf A¨Lho] CT qL^|¾V Bh|oLp] DºLp] IÐOç ySÍLxU
kalikalam : I like that answer u gave for thatsmalayalam.com question. So u too believe that TRUTH IS BEAUTY and BEAUTY IS TRUTH?
xL^] I¢. WqO¦ &  yf|¾]R£ j]¡vÿ\jU yTÎq|oLWOÐf]¤ Rfã]sæ.
alexvarghese : what future do you see for the chalachitra academy as of today?
xL^] I¢. WqO¦ &  CÍ|¢ y]j]opORa wmÉU SWqt¾]¤j]ÐV BWeRoÐ BNYz¾]R£ yLƒLfV¨LqoLp] AfO f}qRŸ
atoooran : SsLW¾]Rs JãvOU vQ¾]RWŸ ojOx|¡ qLNì}p¨LqLeV. Af]jV RfLŸOfLRu y]j]oL¨LqLeV. IÐL¤ IsæL RfLu]sLt]WSt¨LtOU RRky vL°]¨OÐfV CvqLeV. IÍLeV CT v]SqLiLnLy¾]jV WLqeU?
xL^] I¢. WqO¦ &  v]wÕO yz]\ÿOU y]j]oRpaO¨OÐ iLqLtU y]j]o¨L¡ jÚORa jLŸ]sOºV. `L¢ AvRqpLeV WLeOÐfV.
alexvarghese : Sir, is the crisis in the Malayalam film industry, the industry"s own creation like poor scripts, bad productions, running after superstars?
xL^] I¢. WqO¦ &  RRNWy]yV Cf]¤ oLNfoLp] KfO°] j]¤¨OÐ]sæ. jsæ y]j]oßV Svº] Nkv¡¾]¨OÐ j]¡oLfL¨tOU By~Lhj w©] jìRÕŸ WLuV\¨LqOU KqOkq]i]vRq Cf]jO¾qvLh]WtLeV.
atoooran : SWqt¾]¤ ja¨OÐ Nñ}k}cj°t]¤ KqO y]j]oL¨LqR£ SkqV Wº]RsæË]Ss AÂOfoOçP IÐ j]sp]sLp]ŸOºV Avò. oLUyv|LkLqvOU y]j]opOoLpOç mÌRoÍLeV? I°]RjpLeV y]j]oRp CTpvòp]¤j]ÐV qƒRÕaO¾]RpaO¨OvL¢ R\SáºfV?
xL^] I¢. WqO¦ &  y]j]o¨L¡ oLNfosæ yLƒLqfRp¨Or]\ÿV An]oLjU RWLçOÐ SWqt¨L¡ CSf¨Or]\ÿV v]sp]qOS¾º yopU ISÐ Wu]´]q]¨OÐO
atoooran : k]RÐ, CT SoLz¢sL¤ BRt°Rj? vLjNkòU WLeL¢ f}Spãr]¤ BRt¾L¾f]jV KqO \Ljs]¤ SoLz¢sL¤ SWqt¾]Rs SNkƒWRq \}¾ v]t]¨OÐfV SWŸO. ARfÍLe]°]Rj? SNkƒW¡¨]ìRÕŸSf Av¡ WLeP. SoLz¢sLssæ yLƒL¤ h]s}kV kr´LsOU CìoOç y]j]oS¨ jLŸOWL¡ SkLvP!
xL^] I¢. WqO¦ &  CìU IÐO krpOÐfV ApLtORa Ar]vOoLp] mÌRÕŸO W]a¨OÐO
alexvarghese : In Kadal who is the Hero?
xL^] I¢. WqO¦ &  SoLz¢sL¤ fRÐ
kavitha : \s\ÿ]Nf A¨Lho]Rp fË¥ v]nLvj R\pVf q}f]p]¤ RWLºOvqL¢ WVu]S´L ?
xL^] I¢. WqO¦ &  Csæ
mama : enthu kondanu, angayude cinemakalku francil kooduthal angeekaram kittunnathu?
xL^] I¢. WqO¦ &  NlL¢y]¤ oLNfosæ RoWõ]S¨Lp]¤ j]ÐOU A¡^£}jp]¤ j]ÐOU By~LhWqORa W¾OW¥ Ij]¨V W]Ÿ]p]ŸOºV.
aneesh_rec : y]j]oRp WOr]\ÿOç A°pORa WLuV\ÿÕaO oLr]p]ŸORºL ?
xL^] I¢. WqO¦ &  oLr]p]Ÿ]sæ. kSƒ WLuV\¨L¡ jìRÕŸ]ŸOºV
xL^] I¢. WqO¦ &  \Lã]¤ kRËaO¾ IsæLv¡¨OU jÎ]